Module #1 Introduction to Advanced Sound Mixing Overview of the course, importance of sound mixing in filmmaking, and objectives of the course
Module #2 Advanced Mixing Consoles and Software In-depth look at professional mixing consoles and software, such as Avid, Pro Tools, and Nuendo
Module #3 Sound Design for Film Principles of sound design, creating and editing FX, and integrating with music and dialogue
Module #4 Dialogue Editing and Mixing Advanced techniques for editing and mixing dialogue, including noise reduction and EQ
Module #5 Music Mixing for Film Techniques for mixing music for film, including score integration and stems management
Module #6 Surround Sound Mixing Principles and techniques for mixing in 5.1 and immersive audio formats
Module #7 Object-Based Audio Mixing Working with object-based audio, including Dolby Atmos and DTS:X
Module #8 Advanced Bus and Stem Management Organizing and managing complex mixes using buses and stems
Module #9 Reverb and FX Processing Advanced techniques for using reverb, delay, and other FX to enhance the mix
Module #10 Compression and Limiting Advanced compression and limiting techniques for controlling dynamics
Module #11 EQ and Tone Shaping Advanced EQ techniques for shaping tone and frequency balance
Module #12 Mixing for Immersive Formats Techniques for mixing for VR, AR, and other immersive formats
Module #13 Advanced Automation Techniques Using automation to create dynamic and engaging mixes
Module #14 Mixing for Different Genres Specific mixing techniques for different genres, such as horror, comedy, and drama
Module #15 Collaboration and Communication Effective communication and collaboration with directors, producers, and other stakeholders
Module #16 Troubleshooting Common Mixing Issues Identifying and fixing common mixing problems, such as EQ and compression issues
Module #17 Mixing for Dolby Cinema and HDR Techniques for mixing for Dolby Cinema and HDR formats
Module #18 Final Mixing and Mastering Finalizing the mix, preparing for delivery, and mastering for distribution
Module #19 Advanced Plug-In Techniques Using advanced plug-ins, such as spectral processing and saturation emulations
Module #20 Restoration and Repair Techniques for restoring and repairing damaged or degraded audio
Module #21 Mixing for Live Events and Broadcast Techniques for mixing live events, such as concerts and sporting events, and broadcast TV and radio
Module #22 Advanced Metering and Analysis Using advanced metering and analysis tools to inform the mix
Module #23 Soundstage and Foley Mixing Techniques for mixing soundstage and Foley elements
Module #24 ADR and Looping Techniques for recording and mixing ADR and looping
Module #25 Working with Temp Mixes Techniques for working with temp mixes and integrating them into the final mix
Module #26 Mixing for Trailers and Promos Techniques for mixing trailers and promos, including loudness normalization
Module #27 Advanced Sound Design for Trailers Advanced sound design techniques for trailers and promos
Module #28 Mixing for International Distribution Techniques for mixing for international distribution, including format conversion and language support
Module #29 Delivering and Archiving the Mix Final delivery and archiving of the mix, including format requirements and metadata
Module #30 Course Wrap-Up & Conclusion Planning next steps in Advanced Techniques in Film Sound Mixing career
