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Apprentice Mode
10 Modules / ~100 pages
Wizard Mode
~25 Modules / ~400 pages

Techniques in Avant-Garde Filmmaking
( 30 Modules )

Module #1
Introduction to Avant-Garde Film
Exploring the history and principles of avant-garde filmmaking
Module #2
Understanding Experimental Film
Defining experimental film and its relationship to avant-garde cinema
Module #3
Influential Avant-Garde Filmmakers
Analyzing the works and styles of pioneers like Maya Deren, Stan Brakhage, and Chantal Akerman
Module #4
Avant-Garde Film Movements
Examining the key movements and styles of avant-garde film, from Surrealism to Structuralism
Module #5
The Role of the Avant-Garde in Contemporary Cinema
Discussing the ongoing influence of avant-garde filmmaking on mainstream cinema
Module #6
Unconventional Camera Angles and Movement
Exploring alternative camera techniques to create disorienting and subjective effects
Module #7
Experimenting with Film Stock and Processing
Manipulating film stock and processing techniques to achieve unique visuals
Module #8
Lens Distortions and Aberrations
Using lens distortions and aberrations to create surreal and dreamlike imagery
Module #9
Light Painting and Time-Lapse Photography
Creating ethereal and abstract visuals through light painting and time-lapse techniques
Module #10
Found Footage and Appropriation
Using found footage and appropriation to create new meaning and reinterpretation
Module #11
Sound Art and Experimentation
Creating disorienting and immersive soundscapes through unconventional sound design
Module #12
Music and Avant-Garde Film
Exploring the role of music in avant-garde filmmaking, from silence to noise
Module #13
Unconventional Sound Recording Techniques
Using unusual recording methods to create unique and unsettling sound effects
Module #14
The Use of Noise and Silence
Employing noise and silence to create tension, unease, and atmosphere
Module #15
Sound and Image Relationships
Examining the complex relationships between sound and image in avant-garde film
Module #16
Challenging Traditional Narrative Structures
Disrupting traditional storytelling methods to create non-linear and abstract narratives
Module #17
Experimenting with Performance and Acting
Pushing the boundaries of performance and acting in avant-garde filmmaking
Module #18
The Use of Improvisation and Accidents
Embracing improvisation and accidents to create unpredictable and spontaneous performances
Module #19
Body and Identity Politics
Exploring the representation of body and identity in avant-garde film
Module #20
The Role of the Filmmaker as Performer
Examining the filmmakers role as performer and artist in avant-garde cinema
Module #21
Unconventional Editing Techniques
Disrupting traditional editing methods to create disorienting and challenging visual flows
Module #22
Experimenting with Color Grading and Correction
Pushing the boundaries of color grading and correction to create unique and unsettling moods
Module #23
Found Footage and Archival Materials
Using found footage and archival materials to create new meanings and reinterpretations
Module #24
Datamoshing and Glitch Art
Creating surreal and abstract visuals through datamoshing and glitch art techniques
Module #25
The Art of Destruction:Disintegrating the Image
Exploring the destruction of the image through degradation, decay, and decomposition
Module #26
Developing Your Avant-Garde Film Project
Workshopping individual projects and exploring ways to apply techniques learned throughout the course
Module #27
Case Study:Experimental Film Festivals
Analyzing the programming and curation of experimental film festivals
Module #28
Case Study:Avant-Garde Filmmakers Careers
Examining the careers and influences of avant-garde filmmakers
Module #29
Critical Analysis of Avant-Garde Films
Critically analyzing and interpreting avant-garde films through a theoretical lens
Module #30
Course Wrap-Up & Conclusion
Planning next steps in Techniques in Avant-Garde Filmmaking career


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