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Apprentice Mode
10 Modules / ~100 pages
Wizard Mode
~25 Modules / ~400 pages

Theories of Spectatorship
( 24 Modules )

Module #1
Introduction to Spectatorship
Overview of the course, definition of spectatorship, and its significance in media studies
Module #2
Theories of Reception
Early theories of audience reception, including uses and gratifications and encoding/decoding
Module #3
The Frankfurt School
Introduction to critical theory, Adorno and Horkheimers critique of mass culture, and the concept of the culture industry
Module #4
Theories of Ideology
Althussers ISA, ideology as a system of representation, and the concept of interpellation
Module #5
Marxist and Post-Marxist Approaches
Gramscis concept of hegemony, Halls encoding/decoding model, and Laclau and Mouffes discourse theory
Module #6
Psychoanalytic Theories of Spectatorship
Freudian and Lacanian psychoanalysis, voyeurism, and the gaze
Module #7
Feminist Theories of Spectatorship
Mulveys male gaze, feminist film theory, and the representation of women in media
Module #8
Queer Theories of Spectatorship
Queer gaze, queer representation, and the intersection of sexuality and spectatorship
Module #9
Postcolonial and Decolonial Approaches
Theories of cultural imperialism, hybridity, and border thinking
Module #10
Cognitive and Neuropsychological Approaches
Cognitive film theory, mirror neurons, and the neuroscience of film spectatorship
Module #11
Theories of Embodiment
Sensory experience, affect, and embodied spectatorship
Module #12
Theories of Space and Place
Spectatorship and the spatial, place and space in media, and the politics of location
Module #13
Theories of Time and Temporality
Time and temporality in media, nostalgia, and the politics of memory
Module #14
Theories of Virtuality and Simulation
Virtual reality, simulation, and the impact on spectatorship
Module #15
Theories of Interactivity
Interactive media, participatory culture, and the changing role of the spectator
Module #16
Theories of Immersion
Immersive media, presence, and the phenomenology of spectatorship
Module #17
Theories of Identity and Subjectivity
Spectatorship and the formation of identity, subjectivity, and selfhood
Module #18
Theories of Culture and Society
Spectatorship and cultural studies, the role of media in shaping society, and cultural policy
Module #19
Case Study:Film
Applying theories of spectatorship to the study of film, including Hollywood cinema and alternative cinemas
Module #20
Case Study:Television
Applying theories of spectatorship to the study of television, including broadcast TV and streaming services
Module #21
Case Study:Digital Media
Applying theories of spectatorship to the study of digital media, including video games and social media
Module #22
Research Methods in Spectatorship Studies
Qualitative and quantitative methods for studying spectatorship, including ethnography and surveys
Module #23
Ethical Considerations in Spectatorship Research
Ethical issues in researching spectatorship, including informed consent and participant protection
Module #24
Course Wrap-Up & Conclusion
Planning next steps in Theories of Spectatorship career


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